The most important tale of this "fantastic tragedies" that the destiny of a great persona, receptive person the authentic encounter of earth. The catastrophe of shedding a Renaissance certainty, a optimism that person will be "that the Paragon of critters", the personalities detect dis harmonically globe before not known for them a cause of wicked, they need to earn an option: while they all truly are worthy enough to exist at the Earth, predicated in the dignity.

Contrary to the hindsight associated jointly, the tragedies of both Shakespeare (such as ancient) don't represent a bicycle. The catastrophe will be unthinkable that the arrival of twins: that the genre demands individuality. The protagonist of this catastrophe strong, non-aggressive figure that he assembles a lineup in their own fate and liable to their pick (contrary to the heroes present at the ending of XVIII century that the style of melodrama where the protagonist and heroine far more usually, blank although feeble animals, texture that the blows off of rock that is unknown, undergo with persecution by horrendous villains and rescued with the aid of sponsors).

According, at the comedies of Shakespeare, the protagonist of "not free", it's at the mercy of normal inclinations, a universe to the other hand, "complementary", that will be exemplified from the match of likelihood. Back in tragedies, the alternative holds correct: the planet has been arranged inhuman, unfree, the protagonist will be always to openly come to a decision "to become or to not become" predicated on "what's believable".

Each catastrophe is more exceptional and its particular arrangement. Ergo, the makeup of "Hamlet" together with all the culmination at the exact middle of the task (the period of "mouse trap") doesn't resemble the compatible makeup of "Othello" and also so the tune "King Lear", at which essentially no vulnerability.

In a few tragedies show up creatures that are fantastic, however when in "Hamlet" that the Ghost comes in the idea of one series to be (the effect of the dedicated offense), the "Macbeth" witches, and these bubbles of this bottom, a long time until the offenses of this protagonist, they truly are agent of wicked, that isn't momentary (sometimes of insanity), and also the constant part of earth.

The idea of this "fantastic tragedies" based on of this moment (at an various periodization 3rd), particularly: a horrible span Shakespeare unique focus around the catastrophe of "Julius Caesar" because of transition into personality awful. It's noticed that this pattern shifted again at the late drama of Shakespeare ("Cymbeline", "Winter's narrative", "Storm"), that can be signs of this close of the time scale of "fantastic tragedies" along with the entrance of Shakespeare at the finished period of his job.